Bushcraft: Street Art

This may have been our best Bushcraft yet. We borrowed spray paint from graffiti artist Bishop 203, spaying on a big blank wall on Grattan Street, between Knickerbocker Avenue & Porter Ave. Above is my bird stencil that I made on the fly (pun intended).

Awesome art pals from left to right: Andrea Sparacio (me), Alyson Greenfield, Jasmina Tomic & Bushcraft’s brainchild Laura Lee Gulledge.

(below) Bishop 203’s awesome reminder on Grattan Street: M A K E  ★ A R T !

Afterward, we spent hours watching music videos, drinking beers, and sharing our last time in Bishop’s apartment before he moves. Here was one of my favorite videos of the night:

For more street art photos, check out Laura Lee’s blog, as well as my Flickr set here.

photography © 2012 Andrea Sparacio (artsparrow)

Marina Abramović, Spirit Cooking & Eating Your Fear With A Spoon

Marina Abramović is a huge celebrity in the art world and she’s everywhere these days; bringing performance art to the mainstream at MoMA in 2010, her Moscow retrospective in 2011, biography/play in England entitled The Life and Death of Marina Abramović starring William Defoe, and now the HBO documentary, which premiered at Sundance this year. I had the chance to revisit my experience of The Artist is Present in person at MoMA (2010) by attending Film Forum tonight alongside a Q&A with filmmaker Matthew Akers. This behind-the-scenes documentary reopened so many memories, ideas, and the intense passion I initially felt seeing her show a few years back. I also had the privilege of seeing the film with fellow artist friend Jasmina Tomic, whose Dad went to school with Marina back in Serbia and had so many awesome stories to share over drinks afterward. A M A Z I N G. I highly recommend seeing this in the theater! Chills ran through my body for all 105 minutes of the film, while I secretly texted myself reminder quotes like “artist has to be warrior!” Watch the trailer by clicking on the movie poster below:

Marina_Abramović_3Marina_Abramović_3I have written and deleted countless posts on Marina Abramović in the past, partly because she viscerally moves me right to the gut; thoughts feverishly racing and emotions far too complex to articulate properly into words. She both inspires and scares the sh*t out of me. I could never know enough about her, but I can tell you that she makes me look deep into myself as an artist, continually challenging me to dig even further. After seeing her in person a few years back, I knew my life was never going to be the same again.


Marina Abramović’s art explores the limits of physical and mental endurance. She has eaten an entire raw onion, outer skin and all. She’s filmed herself aggressively brushing her hair repeatedly saying “art must be beautiful; the artist must be beautiful”. She screams for 45 minutes straight until she loses her voice. She has a standoff in Rest Energy at bow and arrow point to which she could reasonably die if her partner, Ulay, slips or lets go [watch the performance piece here]. Smacking, pushing, pulling, scrubbing and swimming in bloody animal carcasses, laying with a skeleton on top of her naked body, inhaling/exhaling giving life to the weight death. In Rhythm 0, she invited her audience to use a variety of objects to interact with her in; feathers, make-up and weapons as dangerous as loaded pistols and sharpened knives.


Marina Abramović is willing to suffer any length for her art; how much was I willing to suffer for mine? I lived most of my life in fear, deep from the emotional core right down to the petty fear of a Brooklyn waterbug. Here is this artist, pushing herself to what seemed like impossible limits, and I can’t handle a bug phobia? As I walked around and absorbed each piece in The Artist is Present exhibition, tears streamed down my face as if I was eating the raw onion myself. Eat the fear, I heard myself saying. Eat. It. Up.


One of the translations repeated during the onion video was “I want to not want anymore.” I wrote it on my hand and clasped my partner’s hand until our fingers went numb (photo below)

Recently I fell in love with a piece at MoMA’s Print/Out exhibit entitled Spirit Cooking, written by Marina Abramović and produced by Jacob Samuel. After decades of permanence art, Abramović has very little printmaking experience, so it was interesting to me (as someone who works heavily in print) to see what she came up with. “The artist chose to make a cookbook, writing a series of “aphrodisiac recipes” that serve as evocative instructions for actions or thoughts. To allow the artist to create the accompanying etchings in a manner consistent with her body-oriented practice, Samuel prepared the plates with soft ground so she could scratch directly onto the surface with her fingernails and encouraged her to work with spitbite, using her own saliva with nitric acid to paint on the plate.”

Through this inspiration, I decided to create my own Spirit Cooking and what it personally means to me and my art. Watch the video here:

Final note to self: stay for long periods of time at exploding volcanoes. Eat your fears by the spoonful.  Be a warrior.  Live life.  Make good art!  I’ll leave you now with this comic here:


The Artist is Present: sitting with Marina Abramović (page 1):

comics_marina_AndreaSparacio_pg1rvThe Artist is Present: sitting with Marina Abramović (page 2):


all images are © René Habermacher, MoMA, Jacob Samuel, Marina Abramović / Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn; except for clasping hand photo & above art-video & comic illustration © 2012 Andrea Sparacio (artsparrow)

Inside the Portrait Studio: The Women of Mad Men


Megan Calvet / Draper  I’ve grown fond of Megan this season as her character continues to develop. She is free-spirited, outspoken, creative, and knows how to deal with Don. I hope all of her acting dreams come true.


Sally Draper  The manipulative tween of Don & Betty, Sally is surely a rebel in the make. A daughter of divorce, rock & roll, the 1960s, and just on the brink of womanhood; I can’t wait to see what’s in store for her next.


Joan Holloway / Harris  While a few storylines had me cringing for Joan in the past, some good things are on the rise for her, both in Season 5 and in episodes to come. Also, did you know that Joan plays the accordion!? She’s awesome.


Dawn Chambers  Dawn, oh dear Dawn; the newest hire, Don’s secretary, and the first black employee of SCDP. And what does Season 5 give you? Very little to work with. All I ask is that Dawn get more screen time in Season 6. MO R E  D A W N  P L E A S E ! ! ! Thank you, that is all.


Peggy Olson  Without giving away any spoilers, things are looking really good for Peggy Olson. After an entire season of longing for the metaphoric (and literal) lobster lunch, Peggy is taking her career by the horns. No more gazing through the looking-glass, no more a stranger to airplanes and business trips; nobody puts Peggy in the corner!


Betty Draper / Francis / Birdie  Saving the best for last, I could have drawn Betty in any number of ways; the uptight mother who can’t control her kids, picture-perfect 1960s American housewife in all the right outfits, or following the internet craze of “Fat Betty, blam de lam.” And while I totally love fat Betty, I decided to draw my personal favorite Betty: Season 1, Episode 9…suburban backyard, pink nightgown-clad, cigarette dangling out of bright red lips, rifle in hand. If Betty can’t be free than neither can those damn pigeons! But I think true freedom is still on the way for her, and all you Betty haters out there can stuff it.